Tungt, sejt, vildt - her er det heftigste slam vi har i huset.

In Session, recorded in 1983, is the only known recording of Albert King and Stevie Ray Vaughan performing together. Its long-overdue commercial release (the album didn't come out until 1999) stands as a fitting tribute to the genius of two of the greatest musicians ever to have played the blues on electric guitar. Now, it's available on vinyl for the first time.

Anyone who's witnessed a much-anticipated jam session only to be disappointed - with each participant deferring to the other, the end result being that neither ever got out of first gear - will welcome this pairing of two giants of blues guitar. Albert King and Stevie Ray Vaughan obviously shared a mutual admiration, but it simply wasn't in either one's makeup to a) be intimidated or b) take a backseat to anyone. Not without kicking up a little dust.

This is such a precious set to any fan of either of these blues giants. In addition to the free-spirited jams, there are priceless episodes of conversation between each song, both men exchanging accolades and King giving the much younger Vaughan (though tragically it was Vaughan who died first) some sage advice. This simply is a must-have.

på 45 rpm - det er så godt så godt så godt - det er Acoustech's Kevin Gray og Steve Hoffman der har remasteret mesterværket. Er du ikke på vinyl så håb på en SACD. R2D4.

hvad er din SLAM favorit?

Tjah, han er jo svær at faa presset ned på plade med alle sine tatoveringer, store showmanship, betragtelige størrelse og fantastiske dygtighed så.. Bjørn Berge alene,sammen med sig selv, midt i april dette år, i Mojo Bluesbar... 

DET var bare alt for vildt.. (og hele fem stjerner!)

Mvh. Jens/Modifix von DCA

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Oksen er træg men jorden er tålmodig..

Hej,

Cool tråd - guitar er mit favorit instrument. Vaughan/King pladen kommer på min liste. Steve Hoffman borger for kvalitet.

Jeg har mange SLAM favoritter .



Television's guitaris Tom Verlaine er en af de helt store for mig. Ham og Richard Thompson er de eneste rockguitarister jeg kender der har formået at skabe en spillestil der er totalt uden indflydelse fra blues'en. Ikke at blues er dårligt, nej, nej det rykker, men det er forfriskende anderledes. Marquee Moon er i øvrigt en af mine all-time-favorites.



White Stripes første album. Egne numre blandet med fremragende covers af Dylan og Robert Johnson bl.a. Minimalistisk rock med et blues-drive jeg ikke har hørt lignende - kun guitar og trommer. PLAY LOUD!!



Velvet Underground - White Light/White Heat. Behøver ingen introduktion. PLAY LOUDER!!



Johnny Burnette var samtidig med Elvis, men fik ikke tilnærmelsesvis den samme succes. allmusic.com skriver: "Featuring the groundbreaking fuzzy tone of Burlison's guitar, Johnny's energetic vocals, and Dorsey's slapping bass, these recordings -- highlighted by the first rock & roll version of "Train Kept a-Rollin'" -- compare well to the classic Sun rockabilly of the same era."
Ond, ondere, ondest rockabilly! .

Og til sidst alt med Robert Johnson - han var en fremragende bluesguitarist.

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Modifix skrev: Tjah, han er jo svær at faa presset ned på plade med alle sine tatoveringer, store showmanship, betragtelige størrelse og fantastiske dygtighed så.. Bjørn Berge alene,sammen med sig selv, midt i april dette år, i Mojo Bluesbar...  DET var bare alt for vildt.. (og hele fem stjerner!) Mvh. Jens/Modifix von DCA

Hejsa,

Kender ikke Bjørn Berge andet end af omtale, men udfra omtalen kunne jeg forestille mig at Popa Chubby var noget for dig,  Modifix.

Stilen er noget a la Stevie Ray, men en anelse mere beskidt.

Og så ser han ondere ud end Bjørn Berge




http://www.popachubby.com.

Søg på allmusic.com for at se hvad han har udgivet.

Med venlig hilsen

metallica black album

dizzy mizz lizzy

Rage Ageinst The Machine 

sytem of a down toxixity

Black Sabbath

Led Zeppelin

og min gode ven Jimmy Marshall Hendrix III (som lyder godt på alle anlæg!)

overnævnte indeholder ikke samme finurligheder, men der er massere af gutiar slam

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Krone siger du? nej den har jeg ikke på hovedet, den står der med skriften "DC300"

  HARD HAT AREA af Allan Holdsworth, Den mest imponerende 6 strengs æggedeler virtuos. Et must for alle Jazz Fusions elskere.    

Dire straits ON EVERY STREET.....mmmmmmmm GUF lyd og lækre guitar licks og godt skrevne sange!!

 

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"boy the things you see when you haven't got your gun" - Allan Holdsworth

Hvad så zaka. Verdens mest larmende dobbelt lp. Fire sider med feedback. Har haft den til låns i en årrække, men den er nu død og borte:

One would be hard-pressed to name a major artist who ever released an album as thoroughly alienating as Lou Reed's Metal Machine Music; at a time when noise rock and punk had yet to make their presence known, Reed released this 64-minute aural assault that offered up a densely layered soundscape constructed from feedback, distortion, and atonal guitar runs sped up or slowed down until they were all but unrecognizable. Metal Machine Music seems a bit less startling today, now that bands like Sonic Youth and the Boredoms have created some sort of context for it, but it hasn't gotten any more user friendly with time — while Thurston Moore may go nuts on his guitar like this for three or four minutes at a stretch, Metal Machine Music goes on and on and on for over an hour, pausing only for side breaks with no rhythms, melodies, or formal structures to buffer the onslaught. If you're brave enough to listen to the whole thing, it's hard not to marvel at the scope of Reed's obsession; it's obvious he spent a lot of time on these layered sheets of noise, and enthusiasts of the violent guitar freakout may find it pleasing in short bursts. But confronting Metal Machine Music from front to back in one sitting is an experience that's both brutal and numbing. It's hard to say what Lou Reed had in mind when he made Metal Machine Music, and Reed has done little to clarify the issue over the years, though he summed it up quite pointedly in an interview in which he said, "Well, anyone who gets to side four is dumber than I am." For the record, I did get to side four. But I got paid for it. — Mark Deming

Og så er der jo også vores ven Jimmmyyyyy

Jimmy who ?

A tribute to Stevie Ray Vaughan...

Noget af det bedste indenfor det bedste. Bedste musikere, bedste musik, bedste lyd (hvis man er til det ærlige rå og upolerede = læs realistiske) For dævlan Buddy Guy ka' bare det urin.

Hej,

Metal Machine Music kender jeg udemærket - jeg har haft den til låns. Vinylen er for dyr efter min mening.

Kan godt lide Reed's kommentar: "Well, anyone who gets to side four is dumber than I am." - så er jeg altså dummere end Mr. Reed ... eller blot stædig. Der er dog ikke lykkedes at komme til enden på den skive så mange gange - den er storslem.

Denne her er af samme type - men forunderligt nok er den mere lytte-venlig:



På coveret kan man læse:

"Silver Sessions were taken from an evening when Sonic Youth had to do vocal overdubs for "a thousand Leaves" - the band upstairs was hammering out some funky metal overdrive and we couldnt "sing" properly (?!) - we decided to fight fire with molten lava and turned every amp we owned on to 10+ and leaned as many guitars and basses we could plug in against them and they roared/HOWLED like airplanes burning over the pacific - we could only enter the playing room with hands pressed hard against our ears and even then it was physically stunning - we ran a sick outmoded beatbox trough the P.A. and it blew out horrendous distorted pulsations. Of course we recorded the whole thing and a few months later we mixed it down into sessions....". .

Det er sjældent den kommer på, men efter en tur med den (bedst med hovedtelefoner på) er man helt ren indvendig . Det er mentalhygiejne af højeste karat...

En anden:



Fra allmusic.com.

"Taking off from the ideals which form the core of LaMonte Young's concept of Dream Music, the heart of Dreamweapon is "An Evening of Contemporary Sitar Music," a transfixing 40-minute-plus document of a landmark Spacemen 3 performance recorded at Waterman's Art Centre in Hammersmith on August 19, 1988. Perhaps the purest expression of the Spacemen aesthetic, the piece is an unbroken tapestry of hypnotic drones, throbbing tones, and repetitive phrases, dappled here and there by evaporating fragments of the melodies which later resurfaced on Playing With Fire. The cumulative effect is one of utter disorientation -- all notions of time and space quickly give way to complete conscious immersion in the music's narcotic tug."

Det sidste i rødt er en meget fin beskrivelse af effekten - efter 44 min. åbner man øjnene og tænker hvad? hvor? og hvorfor?

Ravi Shankar - på syre - der har skiftet citaren ud med en fender guitar og en marshall forstærker på fuld skrue. Det er den bedste beskrivelse jeg kan komme på .

Jeg kunne blive ved og ved om den mere støjende del af rocken - måske den del af musikken der interesserer mig mest....

Med venlig hilsen

lasse skrev: Jimmy who ?

Jimmi Hendrix går jeg udfra - kender du ham ikke så skynd dig at købe Are You Experienced.

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Øhhhh, skulle vi lige få stavningen på plads Jimi Hendrix

Mine anbefalinger: "Axis: Bold As Love" & "Electric Ladyland"

Sidstnævnte anbefales med rette cover (selvom jimi syntes noget andet):
When released in the UK, Electric Ladyland created a big fuss, because the cover showed lots of young women holding pictures of Jimi (and the cover of Axis:Bold As Love). Many stores sold the record in brown paper bags, and some even refused to sell it at all. This was a publicity stunt Jimi did not know of, and he did not like that the artwork took the public eye away from the music. Also, he had made the record company spesific information about how he wanted the cover to look. His requests was not followed in neither Britain nor USA. But the stunt worked as intended: it established the Experience's image as outlaws. Here, you may see Jimi's suggestions, and the final cover layout (in USA).
http://www.geocities.com/SunsetStrip/Balcony/5802/elinfo.htm

zaka skrev: den er storslem.

Forvandler min "Tools You Can Trust"-LP til ren supermarkeds-musak.

Nåååååååå Jimi Henriksen, har engang hørt nogle numre fra en plade som vist nok hed "Jimi Hendrix playes the Blues", der er edder-hak-me noget fed spade på.

By The Way er der nogen der kan anbefale noget med Rory Gallagher ?

 (Er glad for Taste's debut album, som er det eneste jeg har og kender)

AMG: Some of Gallagher's best work on record wasn't under his own name, it's stuff he recorded with Muddy Waters on The London Sessions (Chess, 1972) and with Albert King on Live (RCA/Utopia).

Macwerk skrev: By The Way er der nogen der kan anbefale noget med Rory Gallagher ?Irish tour!!! Den er obligatorisk. Køb nu!  (Er glad for Taste's debut album, som er det eneste jeg har og kender) AMG: Some of Gallagher's best work on record wasn't under his own name, it's stuff he recorded with Muddy Waters on The London Sessions (Chess, 1972) and with Albert King on Live (RCA/Utopia).

Hej Buddy!

 Buddy Guy in brutalis vitalis form. Walking Throught the Woods.

 

 

Hej SES.!

Den er så godt som købt

Er enig i King & Vaughan.

Og ellers Led Zeppelin 2. Har desværre endnu ikke noget Jimi H. Men det må komme på et tidspunkt!

Mvh. Becker

Hej igen,

Er jeg den eneste der synes at AC/DC er fantastiske?

Angus Young er en af de mest effektive guitarister der findes - efter min mening.

Favoritter:

High Voltage
Let There Be Rock
Dirty Deeds Done Dirt Cheap
Powerage
Highway To Hell
Back In Black

Altså fortrinsvis de tidlige skiver med Bon Scott.

I mine teenage år hørte jeg ikke andet end AC/DC. Fruen i huset var noget forbløffet da jeg begyndte at dyrke dem igen.

Med venlig hilsen